All Johann Heinrich Fuseli Oil Paintings

1741-1825 Romanticism Swiss
 
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Johann Heinrich Fuseli Silence oil painting


Silence
Gemälde IDENTIFIZIERUNG::  52492 		Silence
1799-1801 Oil on canvas, 63,5 x 51,5 cm
1799-1801 Oil on canvas, 63,5 x 51,5 cm
   
   
     
Johann Heinrich Fuseli Lady Macbeth with the Daggers oil painting


Lady Macbeth with the Daggers
Gemälde IDENTIFIZIERUNG::  52497 		Lady Macbeth with the Daggers
1812 Oil on canvas, 101,6 x 127 cm
1812 Oil on canvas, 101,6 x 127 cm
   
   
     
Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments oil painting


The Artist Moved by the Grandeur of Antique Fragments
Gemälde IDENTIFIZIERUNG::  62501 		The Artist Moved by the Grandeur of Antique Fragments
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
   
   
     
Johann Heinrich Fuseli Brunhilde Observing Gunther oil painting


Brunhilde Observing Gunther
Gemälde IDENTIFIZIERUNG::  62502 		Brunhilde Observing Gunther
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
   
   
     
Johann Heinrich Fuseli Portrait of a Young Woman oil painting


Portrait of a Young Woman
Gemälde IDENTIFIZIERUNG::  62845 		Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
   
   
     
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     Johann Heinrich Fuseli
     1741-1825 Romanticism Swiss

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